Main sources of information for the lecture on Scriabin's Transformative Vision:

• Bowers, Fabion. 1973. The New Scriabin. Enigma and Answers. St. Martin’s Press.
• Bowers, Fabion. 1996. Scriabin, Vol. 2. Vol. 2. Dover Publications, Inc.
• Cook, Nicholas. 1998. Analysing Musical Multimedia. Clarendon Press.
• Galeyev, Bulat M., and Irina L. Vanechkina. 2001. “Was Scriabin a Synesthete?” Leonardo 34 (4): 357–61.
• Gawboy, Anna. 2022. “Scriabin’s Synaesthesia: The Legend, the Evidence, and Its Implications for Multimedia Counterpoint.” In Demystifying Scriabin. Boydell Press.
• Gawboy, Anna, and Justin Townsend. 2012. “Scriabin and the Possible.” Music Theory Online 18 (2): n.p. https://mtosmt.org/issues/mto.12.18.2/mto.12.18.2.gawboy_townsend.php.
• Leikin, Anatole. 2013. The Performing Style of Alexander Scriabin. Ashgate Publishing, Ltd.
• Nicholls, Simon. 2018. The Notebooks of Alexander Skryabin. Translated by Simon Nicholls and Michael Pushkin. Oxford University Press.
• Schloezer, Boris de. 1987. Scriabin: Artist and Mystic. Translated by M. Scriabine and N. Slonimsky. University of California Press.
• Smith, Kenneth M. 2013. Skryabin, Philosophy and the Music of Desire. Royal Musical Association Monographs. Ashgate Publishing, Ltd.
• “Synesthesia | Psychology Today.” n.d. Accessed October 18, 2024. https://www.psychologytoday.com/intl/basics/synesthesia.
• Triarhou, L. C. 2015. Scriabin for Neuroscientists: A Study in Syn-Aesthetics. Corpus Callosum.

Main sources of information for lecture on [Re-]Defining Interpretation and Modes of Listening:

• Adorno, T. W., and H. Lonitz. 2006. Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata. Wiley.
• Cook, Nicholas. 2013. Beyond the Score: Music as Performance. OUP USA.
• Kelkel, M. 1978. Alexandre Scriabine, Sa Vie, l’ésotérisme et Le Langage Musical Dans Son Œuvre. H. Champion.
• Legard, Philip. 2016. “The Bright Sound Behind the Sound: Real-World Music, Symbolic Discourse and the Foregrounding of Imagination.” Interference / A Journal of Audio Cultures, no. 5: n.p. http://www.interferencejournal.org/the-bright-sound-behind-the-sound/.
• Leikin, Anatole. 2013. The Performing Style of Alexander Scriabin. Ashgate Publishing, Ltd.
• Norman, Katharine. 1996. “Real-World Music as Composed Listening.” Contemporary Music Review 15 (1): 1–27.
• Rink, John, dir. 2020. Defining “Shape” in Musical Performance. IMAL - International Mendelssohn-Academy. Leipzig. YouTube Video Lecture. https://youtu.be/YsLOoKz_Jmo?si=O2uFoFOL6BY2vnzE.
• Skrjabin, Aleksandr N., and Marina Scriabine. 1979. Notes et réflexions: carnets inédits. L’esprit et les formes. Klincksieck.

Playlist: Scriabin plays Scriabin

Resources used to create the lecture on Multi-, Inter-, Trans-, and Cross-Disciplinary Art:

• Choi, Bernard C. K., and Anita W. P. Pak. 2008. “Multidisciplinarity, Interdisciplinarity and Transdisciplinarity in Health Research, Services, Education and Policy: 3. Discipline, Inter-Discipline Dis- Tance, and Selection of Discipline.” Clinical and Investigative Medicine. Médecine Clinique Et Experimentale 31 (1): E41–48. https://doi.org/10.25011/cim.v31i1.3140.
• Cupere, Peter De, Willem Elias, and De Warande (Turnhout). 2016. Peter De Cupere: Scent in Context : Olfactory Art. Stockmans.
• Fischer-Lichte, Erika. 2013. “The Transformative Aesthetics of the Gesamtkunstwerk/Total Work of Art as the Specter Haunting Modernism.” Theatre Journal 65 (4): 593–603. https://doi.org/10.1353/tj.2013.0104.
• Friedman, Ken, ed. 1998. The Fluxus Reader. Academy Editions.
• “Jacopo Peri | Renaissance, Opera, Music | Britannica.” n.d. Accessed October 30, 2024. https://www.britannica.com/biography/Jacopo-Peri.
• Kant, Marion. 2007. The Cambridge Companion to Ballet. Cambridge University Press.
• Nicolescu, Basarab. 2014. “Multidisciplinarity, Interdisciplinarity, Indisciplinarity, and Transdisciplinarity.” RCC Perspectives 2: 19–26. https://www.jstor.org/stable/10.2307/26241230.
• Peront, Soraya. 2022. “Total Artwork: Wagner’s Philosophies on Art and Music in the Ring Cycle.” Musical Offerings 13 (1): 9–22. https://doi.org/10.15385/jmo.2022.13.1.2.
• Rajewsky, Irina O. 2011. “Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality.” Intermédialités, no. 6 (August): 43–64. https://doi.org/10.7202/1005505ar.
• Schloezer, Boris de. 1987. Scriabin: Artist and Mystic. Translated by M. Scriabine and N. Slonimsky. University of California Press.

References used for the lecture on Crossmodal Perception: Artistic Practice through Crossdisciplinary Work:

• Nicholls, Simon. 2018. The Notebooks of Alexander Skryabin. Translated by Simon Nicholls and Michael Pushkin. Oxford University Press.
• Papageorgiou, Georgios. 2012. “Hearing through the Body: Expression and Movement in Music.” Royal Holloway, University of London.